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Sunday, 28 June 2009

Fortune Telling with Playing Cards

I found some wonderful fortune-telling cards today.

As far as I can tell it's a Nile 68x deck from the US Playing Card Co. c.1904, but distributed in this country by Foulsham & Co as The Gypsy Bijou Deck. BUT Foulsham & Co. also had a deck out in 1910 called the Gypsy Bijou with was very different having 36 illustrated cards. The art work on my deck box is the same, however the words "Made in the USA" appear on my box, whereas the 1910 box didn't have that printed on it. So did Foulsham briefly sell the Nile 68x as the Gypsy Bijou deck around 1904, before making their own deck in 1910? The Box I have looks a lot like the original Nile 68x box, but with a Foulsham label.

I'm not sure of their UK history, but I'm loving these cards.

Friday, 26 June 2009

monstrous media/spectral subjects

Hoping to get a good lot of writing done for monstrous media/spectral subjects conference in July.

Myself and Stuart Nolan are presenting a paper and performing around the subject of bizarre magic.

Stuart has started a thread at Magic Cafe, but it seems to have moved on to talk about gothic youth culture, rather than the gothic.
The Thread can be found here:
http://www.themagiccafe.com/forums/viewtopic.php?topic=318667&forum=14&17

Believe it or not this was my first post on Magic Cafe!

As a fellow presenter and performer at the said conference, I though I’d chip into the thread. (And as my first post)

I think it's really important not to blur Gothic (youth?) Sub-culture with Gothic (literature based?) themes. Yes, you can argue for a cross-over, but the themes of excess /transgression/the sublime should be separated for the purposes of analysis.

The meta-language/meta-narrative dramaturgy of the bizarre performer is perhaps the most complex in magic, but it simultaneously and delightfully simple.

The construction of the performance text of the bizarre magician, in my mind has very little to do with the construction of the performance text of a band like the "Sisters of Mercy" (Who are the best and only true goth band ever )

But inevitably going back to Goth (youth?) culture and ‘embracing the butcher’; this died as soon it became commercial, in much the same way as punk. So-called Goth bands borrow more freely from a wider circle of themes derived, in the main, from commercial sources.

Yours being delightfully ambiguous and circling my arguments,

Nik

Sunday, 7 June 2009

Blogger? Oh yeah.

In the midst of twittering I've realised that I have neglected my little blog here.

Shame really as I quite enjoyed writing here, perhaps I've re-discovered you Mr. Blog?

I'm a very busy chap at the moment, deep into PhD research, re-designing the Viz Suite, looking at sideshows for the L*** P***** project, preparing a new bizarre magic act + writing a paper with Stuart and finishing up what's been a busy academic year. Hardly time to catch my breath really.

I need to be organised !

So maybe I will write more, but for now ... it's Twitter lol

Saturday, 4 April 2009

Define Magic

Can you define "magic" in 120 characters or less including spaces?

An event so extraordinary that I don't care how it occurred, I just lose myself in the wonderment of its effect. MurrayMoss

Recreating reality KellyJS

A trick or illusion that is considered magical by observers. E Gibbs

An act that defies or broadens our perceptions of how the world works. D Calvert

sufficiently advanced technology Harry Harrold

A suitably skilled display of some sorts which incorporates an illusion and beguiles the masses. yetidave

Completely fake but gets people squeeling like a demented pig if performed correctly. Ruth J

Magic = making something impossible out of what you have. Ie something out of nothing or v little Tittch

being able to do the impossible Iain

The art of astonishment Replicant

Magic is the beguiling offspring of true effect and false cause, created to masquerade as an impossible whole. Tomo

taking the practical and making it look impossible magicdiscoman

The illusion of impossibility M Jay

Making the impossible possible wiffyboy

Magic is The Most Beautiful Art Form, which is created from within the circumstance, and which happens in the moment G Williams

watching your head grow and then shrink. C Ellis

Magic. A riddle, wrapped in a mystery, inside an enigma. A Ratcliffe (via W Churchill)


Monday, 9 February 2009

How Magic Began

It's been a great morning organising and writing the script for a performance I'm delivering in March. It's a "performed paper", to lay-people, all about my research into Performance Magic. I'm talking about lots of things in the paper, but a key focus will be Ali Bongo's book of Magic from 1981 and the magic I performed when I was a kid.

This was, and still is, my favourite book on magic. The Introduction, which also begins the performance, sums up magic beautifully;

How Magic Began

Thousands of years ago, one of the first cavemen discovered that banging two flint stones together produced sparks which would light a fire. To the other members of his tribe he would have seemed like a great magician, able to create fire, just like the lightning which came out of the sky.

Ever since, people have been trying to make things happen that are contrary to the laws of nature. This constant search for the strange and curious was the beginning of all scientific knowledge we have today. Many of the first wise men and scientists used their knowledge to make other people think that they had great and mysterious powers. Other men found that they could use the same secrets to amaze people and make them laugh. These were the first magical performers. In this book, you will learn some of those secrets, and will then be able to baffle and amuse your friends with magic.

Magicians make things happen which seem impossible to explain in scientific terms. For instance, no scientist has yet been able to rub a silver coin on his elbow and change it to a lump of gold, or cut a ribbon in half, and join it again perfectly – unless, of course, he also happens to be a magician, and has learned the secrets you will read about in this book.

But there is much more to the wonderful world of magic than just learning secrets. You can be a performer, and have fun entertaining others. You can enjoy making your own magical apparatus, and feel a great sense of satisfaction when it all works. You can also invent new tricks, collect old magic books and apparatus, and meet other magicians through special clubs and societies.

Because magic is so popular, you will find all kinds of people make it their hobby. Wherever you go, magic will bring you many friends and a lot of Pleasure. (Ali Bongo, 1981)

Great stuff!

Monday, 26 January 2009

Good Monday

It's been a good day of writing today, and lo I am pleased.

I can tick another step of one project, and await news from the publishers.

And I can happily say I've moved on with my presentation project nicely. Although, it may have another title. I'm thinking of calling it Ali Bongo and Me, although at this rate the title is changing weekly.


So just checking in with my blog, before going downstairs to play some banjo.


Excellent


Monday, 19 January 2009

Multi-tasking

Spent the day working on a couple of projects - separated with a cheese on toast lunch (does that count towards your five a day?) - Mainly thinking about the structure of my up coming performance in early March. I don't really want to blog too much about it, because it's still in those planning stages and I'm in a kind of "circling" the wagons research mode at the moment.
I have a different research deadline next week that requires a different academic head on so I've made some notes on that and will need to mull.

Can't find my reading head!